I explore optimistic and pessimistic attitudes, perceptions and emotions by making installations, sculptures, multiples and works on paper. I use everyday materials, language, straightforward techniques, and references to visual culture because I’m attracted to the paradox of futility and potential as embodied in mundane materials and irrational expectations.
Metaphors—such as light and dark, words and meanings, and concept and material—are rich themes for my explorations. Since I believe art objects mediate relationships between artists and viewers, I see art making and viewing as opportunities for enacting trust or skepticism.
My approach is influenced by conceptual strategies, phenomenology and psychology. This results in an experimental, idiosyncratic output. My work often shares an economy of means and candidness of appearance.
My most recent investigations [see Irrational Exuberance (Asst. Colors)], are inspired by positive psychology, metaphors as cognitive tools, happiness, pleasure and decorative impulses. I explore these themes through re-configured discount store goods and the tradition of artists' shops.
![pessimism - optimism table. 1. in life: [pessimism] mundane: e.g., looking for parking, surrounded by cheap goods. [optimism] transcendant: ideals of progress, technology: ease, convenience. 2. in art: [pessimism] ART MUST BE MATERIALIZED, materials are ubiquitous, manufactured. [optimism] art is still expected to convey THE INEFFABLE. 3. in the reciprocal relationship mediated by the work of art. first cycle in a two-part circuit is between the artist and work of art, second cycle is between the viewer and work of art. both artist and viewer can approach the work of art with skepticism [pessimistic] or trust [optimistic].](../_assets/images_featured/_about/statement_550pxw.gif)
