illustrated logo with a bay window in cool blues with calligraphy of the text Bay Windows in magenta, with papel picado banners in orange and yello with the text Ventanas en Saliente, with red Chinese papercuts in the shape of a lantern and a flower with flower window, the colloquial name for papercuts, in Chinese.

An 11-month long art process to foster belonging and build cross-cultural bridges between working-class, immigrant, Chinese & Latinx women through the art of papercuts.

“窗花”是一个为期 11 个月的艺术过程,旨在通过剪纸艺术促进华裔和拉美裔工薪阶层移民女性的归属感,并在她们之间架起跨文化的桥梁。

Ventanas en saliente es un proceso artístico de once meses de duración para fomentar la pertenencia y construir puentes interculturales entre mujeres chinas y latinas inmigrantes de clase trabajadora a través del arte del recorte de papel.
 

Spring/Summer 2025: Workshops

Lead Artist Christine Wong Yap is organizing a series of six workshops in collaboration with community partners, interpreters, and guest artists Beatriz Vasquez and Xiaoqing Shi.

The trilingual workshops will be tailored for the cohort of 15 multigenerational women, who receive stipends as well as support with childcare and transportation.

In the workshops, the participants will share stories and create papercuts to convey issues which are important to them, including immigration, discrimination, housing, labor, and well-being.
 

Trilingual handouts by Nadia Rodriguez and Mayra Alfaro with drawings and texts about family separation and a feeling of impotence about deportations.

May–June 2025: Exhibition

As part of Bay Windows, Yap curated an exhibition featuring the two guest artists to highlight the cross-cultural connections between papel picado & Chinese papercuts (建制/ jianzhi).

Exhibition flyer, Twin Windows: Papercuts by Beatriz Vasquez and Xiaoqing Shi, May 10–June 7, 2025, Reception: Sunday, May 25, 12-3pm, Kearny Street Workshop

In addition, the project space features a display about Bay Windows, including bios and portraits of each designer.

Kearny Street Workshop is located at Arc Studios & Gallery, 1246 Folsom Street, San Francisco, CA 94103
Gallery hours: Wed & Thur 1–6, Sat 12–3

Presented by Asian Pacific Islander Cultural Center’s United States of Asian America Festival.

 

Installation view of project space with papel picado streamers and red Chinese papercuts on windows.

December 2025–March 2026: Public Artwork & Presentation

Yap will interpret the small, delicate paper cuts into durable illuminated lanterns. The lanterns will be displayed in the storefronts of values-aligned organizations in Chinatown, SOMA, and the Mission District. They will be accompanied by trilingual maps, walking tours, and video interviews of each participating designer. This decentralized, neighborhood-based, three-month exhibition and programs will be accessible to the public at no charge.

a map of San Francisco with three neighborhoods called out, with photos representing each place. Chinatown is shown with a street with illuminated lanterns. The South of Market is represented with a photo of the TNT Traysikel. The Mission District has a photo of murals.

2022–2023: Track record

Bay Windows reconvenes a cohort that was first assembled for How I Keep Looking Up / Como Sigo Mirando Arriba / 仰望 (2022–2023), a collaboration with Chinese Culture Center of San Francisco (CCCSF) and numerous community organizations in Chinatown & the Mission District, which resulted in banners carried in the 2023 Chinese New Year Parade, an exhibition at CCCSF seen by 20,000 visitors, and features on El Tecolote, Hyperallergic, KGO ABC 7, KTVU Fox 2, KQED, and Sing Tao Daily.

A photo of a contingent with a lead banner in teal and pink with the title of the project in calligraphy, with a mariachi band and banners behind. It's night time and raining but people are smiling.
A large white gallery with windows along the left and bays with banners along the right.

Help Bring Bay Windows to Life

Donate

Additional funding is needed to enhance the scale and production level of the lanterns and video interviews for audience members to see and hear each designer speaking for herself in her native language.

Sponsor or volunteer

Contribute your talents in translation/proofreading of Chinese or Spanish, or fundraising to our artist-led, community-rooted project.

Host a lantern

Values-aligned organizations, businesses, institutions, or schools with street-level storefront windows are invited to help us uplift immigrant women’s voices by hosting a lantern in your storefront, which will be activated with walking-tour related programs from December 2025 to March 2026.

Help us get the word out

Amplify this call now, and share the exhibition, lanterns, and walking tours later, among your community.
 

Contact Christine Wong Yap at for more info.

 

Stay in touch

Learn more about Bay Windows’ upcoming events.


Credit: Christine Wong Yap and contributors, Bay Windows / Ventanas en saliente / 窗花, 2025–ongoing, social practice, mixed media; dimensions variable.

Kearny Street Workshop logo
APICC logo
NEA logo
SFAC logo
SFGFTA logo
Zellerbach Family Foundation logo
Fleishhacker Foundation logo

Exhibition organized with Kearny Street Workshop and support from the National Endowment for the Arts, presented by Asian Pacific Islander Cultural Center as part of the 2025 United States of Asian America Festival.
 

Project Team: Lee Oscar Gomez, Andreína Maldonado, Xiaoqing Shi, Weikun Tang, Beatriz Vasquez, Stephen Xie, Christine Wong Yap.

Community Partners: Kearny Street Workshop, Galería de la Raza.

Photos by Christine Wong Yap, Aaron Stark, Jenna Garrett. Video edited by Nick Schiarizzi courtesy of Creative Capital; subtitling by Stephan Xie.

Thank you to all the selection panelists and funders; Hoi Leung and YY Zhu at the Chinese Culture Center of San Francisco for unwavering allyship; Jason Bayani and Mihee Kim at Kearny Street Workshop for partnership, fundraising support, and fiscal sponsorship; Rich Lomibao and Mikhael Ganesh for exhibition assistance; Susana Rojas and Xochitl Frausto at Calle 24 Latino Cultural District and Dr. Martyna Ayala at the Mission Cultural Center for Latino Arts for advice and support; Weston Teruya for feedback.