A hyperlocal, 11-month long art process to foster belonging and build cross-cultural bridges between 16 working-class immigrant Chinese & Latinx women through the art of papercuts.
“窗花”是一个为期 11 个月的艺术过程,旨在通过剪纸艺术促进华裔和拉美裔工薪阶层移民女性的归属感,并在她们之间架起跨文化的桥梁。
Ventanas en saliente es un proceso artístico de once meses de duración para fomentar la pertenencia y construir puentes interculturales entre mujeres chinas y latinas inmigrantes de clase trabajadora a través del arte del recorte de papel.
Lead Artist Christine Wong Yap is reconvening a cohort of 16 women, first assembled for How I Keep Looking Up / Como Sigo Mirando Arriba / 仰望 (2022–2023), a collaboration with Chinese Culture Center of San Francisco (CCCSF) and numerous community organizations in Chinatown & the Mission District, which resulted in banners carried in the 2023 Chinese New Year Parade, an exhibition at CCCSF seen by 20,000 visitors, and features on El Tecolote, Hyperallergic, KGO ABC 7, KTVU Fox 2, KQED, and Sing Tao Daily. Yap is also re-assembling the prior team of bilingual project coordinators and interpreters for maximum continuity in Bay Windows.
In conjunction with Bay Windows, Yap is curating an exhibition of papel picado & Chinese papercuts (建制/ jianzhi).
Presented by Asian Pacific Islander Cultural Center’s United States of Asian America Festival.
Yap, Vasquez and Shi will lead trilingual workshops with interpreters. Through hands-on artmaking and discussions, participating designers will explore cross-cultural connections and precolonial traditions.
The 16 working-class women include domestic workers, tenant organizers, and family services coordinators. In the workshops, the cohort will share stories and create papercuts to convey how migration has motivated them to address immigration, housing, labor, disinformation, and safety in their communities.
Yap will interpret the small, fragile paper cuts into durable illuminated lanterns. The lanterns will be displayed in the storefronts of values-aligned organizations in Chinatown, SOMA, and the Mission from December 2025 to March 2026. We will produce trilingual maps and walking tours. All lanterns, maps, and events will be free and available to the public at no charge.
Current funding supports the workshops and exhibition, stipends for the 16 working-class women (including support for childcare and transportation); and compensation for guest artists, interpreters, and bilingual project coordinators. Additional funding would further support the number, scale, and production level of the lanterns, events, and collateral.
Financial contributions will support the completion of a full set of 16 lanterns at a high level of production quality; and documentation including signage linking to webpages featuring trilingual, subtitled video interviews with each designer speaking in her native language.
Contribute your talents in photo/video documentation, translation/proofreading of Chinese or Spanish, or fundraising to our artist-led, community-rooted project.
We’re seeking a Mission District-based organization to host design sessions or workshops in June and July 2025.
Values-aligned organizations, businesses, institutions, or schools with street-level storefront windows are invited to help us uplift immigrant women’s voices by hosting a lantern in your storefront, which will be activated with walking-tour related programs from December 2025 to March 2026.
Amplify this call now, and share the exhibition, lanterns, and walking tours later, among your community.
Contact Christine Wong Yap at cwy@christinewongyap.com for more information, including how to make a tax-deductible donation.
Credit: Christine Wong Yap and contributors, Bay Windows / Ventanas en saliente / 窗花, 2025–ongoing, social practice, mixed media; dimensions variable.
Bay Windows is supported by a 2025 Creative Capital Award, the Zellerbach Family Foundation’s Community Arts program, and A Blade of Grass’ Fied Funds.
Exhibition organized with Kearny Street Workshop and support from the National Endowment for the Arts, presented by Asian Pacific Islander Cultural Center as part of the 2025 United States of Asian America Festival.
Project Team: Lee Oscar Gomez, Andreína Maldonado, Xiaoqing Shi, Weikun Tang, Beatriz Vasquez, Stephen Xie, Christine Wong Yap.
Thank you to all the selection panelists and funders; Hoi Leung and YY Zhu at the Chinese Culture Center of San Francisco for unwavering allyship; Jason Bayani and Mihee Kim at Kearny Street Workshop for partnership, fundraising support, and fiscal sponsorship; Susana Rojas and Xochitl Frausto at Calle 24 Latino Cultural District and Dr Martyna Ayala at the Mission Cultural Center for Latino Arts for advice and support; Weston Teruya for grant feedback; and Mikhael Ganesh.